Aurea | The proportion that comes first

"Eadem mutata resurgo." — Jakob Bernoulli, Spira Mirabilis, 1692
"Though changed, I rise again identical to myself."

The golden ratio is not invented. It precedes. We find it in shells, in galaxies, in the veins of leaves. Bernoulli called it the Spira Mirabilis — the marvellous spiral — because it remains identical to itself through any transformation.

Aurea applies this same idea to acoustics: Italian drivers with Fibonacci cones, a cabinet built to measure, a crossover that forces nothing. The mathematics does the work. We listen.

Aurea — pair front view

The Project

Two passive floorstanding loudspeakers, two-way. Two 8" woofers in parallel for the low end, a dome tweeter for the highs. MDF cabinet, 40 litres net, reflex tuning.

The two circular reflex ports on the lower front baffle are fitted with 3D-printed honeycomb diffusers — a solution that reduces turbulence at the port mouth and controls airflow without restricting it.

Aurea — single speaker front low view

Fibonacci Technology

The cone of the RS Speakers W 220.50 woofer is built according to the Fibonacci sequence: the rib distribution follows the progression 1, 1, 2, 3, 5, 8, 13… spreading cone resonances across frequencies that are not harmonically related. The result is a cone with no single dominant break-up mode — it breaks up at many different points rather than at one.

A solution that comes from the mathematics of nature, not from the engineering of compromise.

Aurea — pair front and rear

The Structure

The rear panel carries the K4Revenge binding post panel with dual terminals — biwiring and biamping are genuine, not nominal. The two crossover networks are physically separate: no shared connection between woofer section and tweeter section.

Steel spike feet isolate the cabinet from the floor and allow precise levelling on any surface.

The Sequence

Each number is the sum of the two before it. The ratio between consecutive terms converges toward φ = 1.618… — the golden ratio. A proportion nature has always used, now embedded in the Fibonacci cone.

55 34 21 13 8 1, 1, 2, 3, 5, 8, 13, 21, 34, 55 … φ = 1.618…

The logarithmic spiral repeats identically at every scale — like music across its octaves.

The Crossover

Second-order electrical on both ways. Crossover point at 1700 Hz. A deliberately simple topology to keep colouration on the signal to a minimum. The two networks are physically separate: biwiring and biamping are real.

Woofers ×2 — LP

2nd order electrical

Tweeter — HP

2nd order electrical

Crossover point

~1700 Hz

acoustic, measured

An Aesthetic Note

It is rare to find components crafted to this level of care. The cone ribbing is visually magnificent — each rib follows a rhythm the eye recognises before the mind explains it. The outer flange is domed, with a finish that is anything but ordinary. The tweeter is equally striking: the machining on its flange recalls the texture of a vinyl record. Details that speak to a 360-degree attention to quality, well beyond acoustics. Italian elegance, in the most precise sense of the term.

The Drivers

The Suspension

Linear simulation on the W 220.50 T/S parameters predicts 8.8 mm excursion at 68 Hz with 200W AES — beyond the rated ±6 mm Xmax. At 100W it drops to 6.1 mm, still at the limit. In listening and in measurement, the driver handles it better than these numbers suggest.

The working hypothesis is that the asymmetric double-roll NBR surround develops a progressively stiffening compliance as excursion increases — a natural braking mechanism that linear T/S parameters do not model. The driver tightens up where it needs to, without this being declared in the datasheet.

Measurements

Measurements taken in a real-world environment, with the tools used every day. Calibrated instrumentation, declared method.

Nearfield woofer and reflex port
Nearfield — woofer and reflex port — REW + UMIK
Crossover — filtered woofer, filtered tweeter, sum
Crossover — filtered woofer, filtered tweeter, sum — REW
Impedance and phase — DATS LA
Impedance and phase — finished loudspeaker — DATS LA
Nearfield measurements are reliable and reproducible regardless of room acoustics. The impedance curve is measured on the fully assembled loudspeaker including crossover. For official driver specifications refer to the manufacturer datasheets.
Cabinet Specifications
Net volume40 litres
TypeReflex
Tuning frequency~40 Hz
Reflex ports2× 74 mm — lower front
Port diffusersHoneycomb — 3D printed
MaterialMDF
BiwiringYes — physically separate networks
Acoustic & Electrical Specifications
Sensitivity94 dB (1W/1m)
Minimum impedance3.8 Ohm @ 130 Hz
AES power handling400 W
Dimensions (H×W×D)90 × 26 × 30 cm
Measurement Equipment
SPLREW + UMIK
ImpedanceDATS LA — Dayton Audio
EnvironmentUntreated room
Share the Aurea project

Aurea — Turn Key Pair

Complete system: designed, built, measured, tested.

€ 2,500.00

* Price per pair of finished loudspeakers, VAT included


Also available as a DIY Kit with or without CNC machining.
Get in touch to discuss your project.